F-Stop Magazine’s Landscape issue this month includes a wide range of work from photographers around the world. When editing the exhibition for this issue, we felt it was especially important to include work which plays with the idea or concept of what a landscape is, or is not, and hopefully reveal something about what the
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In ‘The Verity Project,’ Judith Rayl embarks on a captivating exploration of the ephemeral and the present moment. Through a unique process of using a hand-built lens and meticulously crafted miniature landscapes, she transforms ordinary objects into extraordinary, abstract environments. This innovative approach not only challenges our perception of reality but also invites us to
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Natasha Lozinskaya sees photography as a way to express the poetry of her homeland. Her featured portfolio “Treasure Trove” in Issue 128 explores the idea of how her youth formed her relationship to the rural Vyatsky Krai area of Russia, both physically and psychologically. She explains that photography is a medium that allows her to
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Photographer Nika Pailodze is based in the country of Georgia. Nestled in the Caucasus region, Georgia boasts a stunning natural landscape and a rich cultural tapestry. Pailodze’s featured photographic series delves into the enchanting, rural, and mountainous Adjara region – particularly its highland villages nestled amidst the alpine zones. This harmonious coexistence of Muslims and
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The work shown in Bruno Pereira Ribeiro’s project ‘The Grass Needs to Be Cut’ is centered on the tradition and culture of bullfighting (which is not man vs. bull – rather bull vs. bull in a showdown of dominance) in certain regions of Portugal. The animals are not being used predominantly for agriculture now, so
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